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Traditional
arts and crafts are abundant in Cambodia. Scuptures.,
paintings and curving done with great care and
attention. One can view such antiquities in market
place, shop or museum.
The variety of arts and crafts are large in range and
include such item as: silver and gold jewellery, wicker
were furniture, fine hard wood furniture, silks, marble
sculptures, high quality China, leather ware and much
more. There is a sharp eye for detail here and much of
the products will be intricately carved especially the
furniture, sculptures etc.
Unfortunately, much of these works completely ceased to
exist during the Khmer Rouge dictatorship. Artisans ware
instead forced to work in labour camps, where most of
them died painful deaths. Many arts and crafts also
purposely perished during that time.
Today there has been a revival, due to a great deal of
restoration work, which has been initiated by foreign
governments. Now many centers have been established to
keep the ancient methods of the craftwork alive. You can
see examples of this throughout the country.Classical
Dance of Cambodia The epic poem of Rama (Ramayana) is
believed to have been revealed to a Hindu holy man named
Valmiki by Brahma, the god of creation. This religious
literary work, dating from about ad 4, is known in
various versions throughout India and Southeast Asia. In
Cambodia, the story has been set to music and dance and
performed by the Royal Ballet since the 18th century.
Although the epic is also known in the villages, where
it is translated orally or dramatized in the popular
shadow puppet theater, the ballet was traditionally a
courtly art performed in the palace or for princely
festivals. The music of the ballet is performed by the
Pinpeat orchestra, which is made up of traditional
xylophones, metallophones, horizontal gongs, drums, and
cymbals
History
Khmer classical dance derived from Indian court dance,
which traces its origins to the apsarases of Hindu
mythology, heavenly female nymphs who were born to dance
for the gods. The traditions of Thailand and Java (in
Indonesia) also influenced the music and dance of
Cambodia. In classical Cambodian dance, women, dressed
in brightly colored costumes with elaborate headdresses,
perform slow, graceful movements accompanied by a
percussive ensemble known as the pinpeat. Pinpeat
orchestras include drums, gongs, and bamboo xylophones.
In Cambodia's villages, plays performed by actors
wearing masks are popular. Shadow plays, performed using
black leather puppets that enact scenes from the
Reamkern, are also enjoyed. Folk dancing is popular in
rural Cambodia and is performed spontaneously to a
drumbeat.
Apsara Dance
At the heart of classical form is the Apsara, the
joyful, almost wanton dancer whose images are
everywhere. Princess Buppha Devi, who currently serves
as the Minister of Culture, is a master of Apsar
dancing, which dates to the 1st century. The graceful
movements of the Apsara dancers, adorned with gold
headdresses and silken tunics and skirts, are carved on
the walls of many of the temples at Angkor. Estimates
are that there were 3,000 Apsara dancers in the 12th
century court of King Jayavarman VII.
Over the centuries Khmer dancing lent its influence to
the classical ballet of neighboring countries, and some
of its postures and movements are similar to other
Southeast Asian dance forms. But according to Princess
Buppha Devi, "The Khmer kingdom started its
traditions in the 8th century, 500 years before
Thailand." In 1400, with the sacking of the Angkor
Empire, the Apsara dancers were seized and taken to
Thailand. Apsara dancing is one of two elements of
classical ballet, the other being "today"
dancing, the depiction of early myths. Many of the
dances involve performing a fragment of the Ramayana,
the ancient Indian epic that is one and a half times as
long as the Odyssey. Others are based on the legendary
battles and mythical sagas carved in bas relief on the
walls of the temples of Angkor-including the Churning of
the Sea of Milk, the great battle between gods and
demons for the holy liquid that gives immortality. There
are 100 dances and dramas. |